ARTFINDER: An Old Fashioned Christmas by Richard De Wolfe - At the turn of the century, the main mode of wi...

ARTFINDER: An Old Fashioned Christmas by Richard De Wolfe - At the turn of the century, the main mode of wi...

 "An Old Fashioned Christmas" by Richard De Wolfe 30" x 48" alkyd on canvas

At the turn of the century, the main mode of winter
transportation was by horse drawn sleigh or “cutter” as depicted here.  The scene is typical of many
communities in Eastern Canada and the North Eastern United States.  It is dawn on Christmas morning, and
people are gathering at the church for an early Christmas service.

 Many modern day Amish and Mennonite families still travel in horse drawn vehicles and sleighs in winter, though the type that they favour are much less flambouyant than this one.

ARTFINDER: Getting Aquainted by Richard De Wolfe - When I was a very young boy, my father kept a f...

ARTFINDER: Getting Aquainted by Richard De Wolfe - When I was a very young boy, my father kept a f...

"Getting Acquainted" by Richard De Wolfe 18 x 24 alkyd oil on canvas

When I was a very young boy, my father kept a few farm animals, as well as flocks of chickens, ducks and turkeys to help provide for our large family.  He had already stopped keeping cattle by that time, but I was very familiar with cows and calves on neighbouring farms in our rural community as I was growing up.

"Getting Acquainted" is a fanciful interpretation of my father introducing a 3year old 'me' to a young calf in the barnyard in spring.  For many poeple, it represents a nostalgic memory of life on the family farm in the 1940s, 1950s and 1960s.

I love creating paintings that bring back memories of my childhood in farm country along the St. Lawrence River, in Ontario, Canada.  Life seemed so simple then, but that is more a product of the innocence of childhood than the reality of those times.  We had polio, World War 2, DDT, the Korean War, Vietnam, the Cuban missile crisis and many more life-threatening situations to cope with, not so different from today.  I think the difference is that the past is 'known' and the future must always remain 'unknown'.  Enjoy life and tell someone that you love them.

Creating a Silver Coin for the Royal Canadian Mint

It has been a year since I was commissioned by the Royal Canadian Mint to design and produce a painting for a 20 dollar silver coin.  Now that the official release has finally arrived, I can take the wraps off of the art and tell the story behind the project and the painting that I created!

It all began in October, 2013 when a product manager at the Mint came across one of my hockey paintings on rdewolfe.com and decided that this was something they would like to see on a Canadian collector coin.  I was then contacted and commissioned to come up with a new design featuring Canadian children playing the much loved game of pond hockey.

The production work for a new coin is long and arduous, so it was imperative that I immediately begin working out the design for the new coin.  Country, kids and hockey are favourite subjects of mine, so I eagerly began working on the project.  Sketches were soon approved and painting commenced!

Original sketch for Pond Hockey painting

The first sketch was received with enthusiasm but because it was decided to reproduce the background buildings in bas-relief rather than full colour, it was necessary to separate the figures in the foreground from the objects in the distance.  I submitted a new drawing that was then deemed perfect for the job!

Final sketch for Pond Hockey painting

Once I received final approval for the drawing, I transferred it to canvas to begin the painting.  The next step was to apply a thin blue wash overall to create a 'cool' atmosphere.

Now I begin painting in dark areas using acrylic paint for speedy drying.  This allows me to move forward quickly.

When I begin adding local colour throughout the painting, things start to come together.  At this point I have switched to alkyd oil paint.

Now I add in colour and texture on the ice surface and the background scene.  All the basics are there, so now it is a matter of finishing up by adding more colour and detail to the painting.  Originally, I intended to do a circular painting as indicated by the initial painting of the sky.  In the end, however, I decided it would be more attractive to extend the scene into a square format, resulting in a more complete, square painting.

Finished painting "Pond Hockey" 

And here it is....the finished one ounce silver coin, available for purchase at themint.ca or one of the dealers listed on their web site, including Canada Post Corporation.  One of the really neat features of this limited edition silver coin is the full colour treatment, making it a very unique collectible!

Heading for the Loft

Portrait Commission

I completed this portrait about one week ago.  I don't do a lot of portraits, but occasionally it is fun to take one on and stretch my capabilities....hopefully at least!  This one was a commission for a previous collector of my art.  The painting measures 11 inches wide by 14 inches high.  I painted it on a canvas panel and mounted it in a simple, antique style dark walnut coloured frame that really suited the subject of older folks.  This was actually a portrait of the collector's parents who passed away some years ago, so my patron was delighted to have this painting done as a keepsake and family heirloom for future generations.  If you have a photo that you would like me to use to create a special work of art, please contact me and we can discuss the possibilites.

12 Day Carnival Mediterranean Cruise

It was quite a shock to witness the sinking of the Costa Concordia cruise ship off of the west coast of Italy at Giglio Island on Friday, January 13th, 2012.    It makes me think that 'but for the Grace of God, there go I'.  Just three months ago, my wife and I had the trip of a lifetime on Carnival Cruise Line's Carnival Magic, that took us on a 12 day trip, primarily centered around Italy.  At that time we were also visitors to the port of Civitavecchia, where the Costa Concordia had departed before it's sudden demise at Giglio Island.

 Andreas Solaro/AFP/Getty Images

Fortunately, our cruise left us with nothing but fond memories and high respect for the level of professionalism of the staff and crew aboard ship.   My thoughts and prayers go out to all of the passengers of the stricken Costa Concordia, who are still missing, together with the families that are awaiting their safe return.

Traditional Figure Painting

Here is something I came across on Robert Genn's Twice Weekly Newsletter.  It was inspiring to me to learn of an artist who is determined to maintain tried and true, traditional methods of figure painting.  Jacob Collins is a New York artist and art teacher.  His self-proclaimed goal is to be "an old-fashioned painter".  Jacob works from life, be it nudes, still life or figures, in his dark but strategically lit studio.  He carefully draws his subjects by the time honoured method of draw, correct, refine, until he has captured the nature and character of his model.  Some may liken Jacob to a modern-day Rembrandt who stands out in contrast to many of the current avant-garde artists who surround us.  The following video attests to the skills of a modern-day master.  Enjoy!

Snow Day!

One of the great things about living in Canada when you are a child is winter. Adults may dread it, often finding the cold and snow a hardship to deal with, but children look forward to it all year long. The great thing about a northern winter to a child is lots of snow! When the weather gets stormy, most school buses do not venture out and many schools close for the day entirely. This creates an unscheduled holiday that kids really appreciate.

I created this painting as an illustration for art licensing. I wanted it to be colourful and dramatic in order to convey the excitement of the children. I used my granddaughter Ashley as a model for both the boy and the girl. My work boots fit Frosty perfectly! I added the glow of the sun to warm up an otherwise cool setting. The painting is 9 inches by 12 inches, painted in alkyd on board.

Sleigh Ride!

This painting has been very popular for my collectors and also licensing clients. It is the perfect Christmas image, both nostalgic and exciting! The horses are galloping briskly along the roadway with a frisky dog leading the way. The period dress of the sleigh's occupants suggest Victorian times, when horse and sleigh were the main mode of winter transportation. You might also notice a buffalo skin rug in their laps, which was used to keep travellers warm. The old wooden pump in the lower right corner is now a thing of the past. These pumps were carved entirely out of wood by skilled craftsmen!

The limestone house in the background was once owned by my wife and I. The beautiful blue spruce tree stands just as I have painted it, beside the house in Kingston, Ontario, Canada. The historic stone church in the background actually exists in Barriefield, just across the Rideau River.

I chose to paint a colourful winter sky in keeping with the animated feeling of the overall painting. This gave me the opportunity to reflect all of these colours in the snow and gives the picture additional life. The painting measures 18 inches high by 24 inches wide. It is painted in alkyd paint on a canvas support. The original is not for sale, but prints are available at: http://fineartamerica.com/profiles/richard-de-wolfe.html Merry Christmas and Happy New Year!

An Old Fashioned Christmas

I thought it was time to post a real Christmas painting. I call this one "An Old Fashioned Christmas". Plenty of nostalgia depicted here, about a much slower and innocent time, when most people lived in the country or at least very small towns and villages across Canada and the United States. In those days the main mode of winter transportation was by horse drawn sleigh or 'cutter'. The scene is typical of many communities in Easter Canada and the North- eastern United States. It is dawn on Christmas morning, and people are gathering at the church for an Early Christmas service.

My composition is based on an "S" pattern. The eye enters from the lower left following the direction of the horse and sleigh, over the bridge to where the figures in front of the church are congregated, and finally the church itself. The stone mill beside the church and the mail boxes in the lower right corner lead the eye back to the horse and sleigh approaching the bridge and the whole process is repeated. The snow covered spruce tree acts as a visual stop and keeps the eye from wandering off to the left.

The painting measures 48 inches wide by 30 inches high. It is painted on stretched canvas, and as I usually do, I worked in alkyd paint. I found this cutter in a Sotheby's auction catalogue and I loved the ornate style. It is being pulled smartly by a high stepping Hackney Horse.

Puppy Love - Step Five

I have resolved the dilemma of what to do with the bedding and cushions by using a colour scheme that is primarily purple with golden yellow accents. The purple is a restful, nocturnal colour and the gold is on the opposite side of the colour wheel, making it the complimentary in this case. It ties in nicely with the colour of the girl's hair, the puppy and the teddy bear, too.

I have created some dramatic, low lighting on the cushion in the background and deepened the dark brown behind them. There is now a distinct background, middle ground and foreground in the picture. This creates a feeling of depth in the picture and helps build a strong, interesting composition.

Detail and depth of colour are added throughout the painting, and finally, highlights are added at the very last as the finishing touch.

Puppy Love - Step Four

I continue to add detail, slowly building up colour and form primarily with thin washes and glazes using mat medium. I darken the background with a mixture of burnt umber and black to really punch out the foreground. Everything other than the bedding and pillows seems to really be coming together at this point. I am still undecided about what to do with the cushions in the background.

Puppy Love - Step Three

At this stage I begin introducing local colour throughout the painting. I wash in flesh tones on the face and arms of the sleeping girl. I begin accenting details on all three characters in the picture. Simple washes of colour are blocked in on the blanket and cushions behind the figure. I block in the hair with a wash of colour, then add initial detail with burnt sienna. I do the same with the puppy and the teddy bear, then concentrate on adding the most detail to the central character, the puppy.

The teddy bear leans into the picture and the girl's arm leads the eye to the puppy and then to the girl's face. The flow of the hair leads the viewer's eye to the cushions in the background. These cushions act as a 'backstop', leading the eye back to the teddy bear and the cycle is repeated, keeping the viewer's eye within the picture, always returning to the puppy and the girl's face.

Puppy Love - Step Two

Once the drawing is well fixed, I tone the entire surface with a thin wash of blue-gray acrylic paint, thinned heavily with mat medium and water. I add some slightly darker washes of the same colour, particularly in the bedding. Next, I begin building form and detail to the teddy bear, puppy and sleeping girl. The last thing I do at this stage is to block in the background with a heavier wash of burnt umber.

Puppy Love - Step One

I thought it time I posted another painting progression, since I haven't put one up for quite a while. This is a picture I am painting primarily for licensing. Companies pay me a fee to use this type of art to illustrate a product such as puzzles, calendars, greeting cards, soft goods, etc. for a specified period of time.

This piece is titled "Puppy Love". I started out by doing a detailed drawing on illustration board. Once I am happy with the drawing, I spray it with workable fixative, then seal it with acrylic mat medium. I also give the back of the illustration a quick application of mat medium to prevent serious warping as the picture dries. If you only paint on the face side of the board, it will often curl due to tension caused by shrinkage of the drying paint. An application on both sides of the sheet counter acts this tendency.

Lost In Thought

This painting is a little bit of nostalgia from my youth. I grew up in farm country, and though I did not live on a farm at that time, I did spend much of my time exploring farms and of course, fishing whenever possible. What could be more idyllic for a boy than a clear summer day, accompanied by his dog, with a can of worms and a make-shift fishing pole?

I painted this picture on stretched canvas, using alkyd paints. It measures 18 inches high by twenty-four inches in width. Prints are available.

Painterly Illustration

During the 1980's, I shared studio space with several other artists and a photographer. One of these artists (we were all illustrators in those days) was Stewart Sherwood, one of the most talented and prolific artists I know. Stewart has produced paintings and illustrations based on a wide range of subject matter. He is also amazingly fast, often producing a number of finished pieces in one sitting.

Stewart handles any subject with warmth and humour. Today, Stewart paints primarily for the art licensing market and is one of the most successful artists in this field today. As I mentioned, his subject matter is broad, including Christmas, nostalgia, portraits, sports, animals, landscapes and so much more. I particularly love the many paintings of children that he has produced over the years, many for the Bradford Exchange, as collector plates. For more information on Stewart Sherwood and many more examples of his wonderful art, visit his web site at: www.stewartsherwood.ca

Passing Giants

A true giant of illustration passed away last week. Frank Frazetta, the undisputed king of Science Fiction and Fantasy art, died from complications of a stroke in Fort Myers, Florida, on Monday, May 10, 2010. Frank was 82 years old.

I can't describe how much I looked forward to every piece of illustration that carried the distinctive signature of Frank Frazetta when I first became interested in illustration as a very young teen. I never lost interest in or my love for the work of this tremendous painter. Warren Publications introduced 'Creepy' and 'Eerie', two brand-new high-end comic magazines in the mid-sixties. Through the amazing art on their covers, I was introduced to the work of Frank Frazetta. In earlier years, I had enjoyed the comic strip, Lil' Abner, which also featured the art of Frank Frazetta, but I was unaware of that at the time. Later, Frazetta produced paintings for the covers of the 'Conan' series of pocket books, written by Robert E. Howard and L. Sprauge de Camp. The painting used on the cover of 'Conan the Adventure' recently sold for one million dollars! How many fine art painters can claim as much?

So long to another unique artist-idol from my youth. Rest in peace, Frank.

For more insight into the work of Frank Frazetta, please visit http://drawn.ca/ or follow the direct link to http://drawn.ca/2010/05/13/frank-frazetta-1928-2010/

Collecting the Sap

Here is another painting that I think is well suited to the season, here in Ontario. Our maple sugar and syrup making season has just ended for another year. The tradition of collecting sap from sugar maple trees is well known in eastern Canada and the north eastern USA. It is done in early spring when the sap stored in the roots of the maple tree begins to travel back up the trunks of these trees, to feed the buds that will soon blossom into leaves. Small holes are carefully drilled around the circumference of the tree and 'taps' or 'spiles' are driven into these holes to collect some of the sap as it flows upward. The sap, in turn, is allowed to drip into pails attached to the tree, or as is most common today, into a network of plastic tubing, which may run for miles to a central collection point. The sap must be boiled down quickly to avoid spoilage. It takes approximately eleven gallons of raw sap to produce one gallon of delicious maple syrup.

For the most part, tractors and modern equipment have replaced the horses and sleighs that were traditionally used in collecting the sap for delivery to the 'sugar shacks' for the long process of boiling over a wood fire. If you look hard enough, it is still possible to find teams of horses, such as the Belgians pictured here, being used in the bush to bring tanks of sap to the wood fired evaporators and maple sugar shacks.

The title of this painting is 'Collecting the Sap'. This painting measures 18 inches by 24 inches. I painted it on stretched cotton canvas, using alkyd paints. Prints are available.

Toronto Illustrators

Another month has flown by and I have found little time to add a new post to my blog. My last few posts have been in reference to my previous career in illustration. The industry has changed a great deal in more recent years, and digital art, created with the use of computer graphics software predominates these days. You can view the work of a number of illustrators, such as the one I have posted here, by visiting www.torontoillustrators.com.