ARTFINDER: Getting Aquainted by Richard De Wolfe - When I was a very young boy, my father kept a f...

ARTFINDER: Getting Aquainted by Richard De Wolfe - When I was a very young boy, my father kept a f...

"Getting Acquainted" by Richard De Wolfe 18 x 24 alkyd oil on canvas

When I was a very young boy, my father kept a few farm animals, as well as flocks of chickens, ducks and turkeys to help provide for our large family.  He had already stopped keeping cattle by that time, but I was very familiar with cows and calves on neighbouring farms in our rural community as I was growing up.

"Getting Acquainted" is a fanciful interpretation of my father introducing a 3year old 'me' to a young calf in the barnyard in spring.  For many poeple, it represents a nostalgic memory of life on the family farm in the 1940s, 1950s and 1960s.

I love creating paintings that bring back memories of my childhood in farm country along the St. Lawrence River, in Ontario, Canada.  Life seemed so simple then, but that is more a product of the innocence of childhood than the reality of those times.  We had polio, World War 2, DDT, the Korean War, Vietnam, the Cuban missile crisis and many more life-threatening situations to cope with, not so different from today.  I think the difference is that the past is 'known' and the future must always remain 'unknown'.  Enjoy life and tell someone that you love them.

Across the Miles - Step 5

I have now blocked in the entire canvas with colour.  Finishing the snow-cover changes the mood and the look of the painting quite drastically. This gives me a really good idea of how the finished painting will look.  The contours, light and shadows in the snow requires a subtle touch.  It is important to create the illusion of an undulating plane, falling away from the foreground to the mountains in the distance.  The roadway must also appear to 'sit' into the snow rather than on top of it.  The fence now appears to stand up from the snow, three dimensionally.

Painting and refining the white lettering on the side of the postman's sleigh is meticulous work and requires patience.  There is more work in this painting than I expected!

Across the Miles - Step 3

Usually I like to do a quick underpainting with acrylics on top of my toned canvas, but occasionally I will start to paint directly on a toned and shaded drawing.  I have decided to take the latter approach this time, starting from the sky at the top (furthest away from the viewer) and working my way down and progressively closer to the viewer as I go.  This allows me to build an illusion of depth into the work.

To keep the work from being too 'cold', I add warm yellows and pinks to the clouds, suggesting late-day lighting from the left.  I block in the snow-covered hills and move forward through the heavily laden spruce trees.  The last thing I do at this stage is to begin adding more form and colour to the mailman's sleigh and the mailbox where he has just made a Christmas delivery.

Across the Miles - Step 2

Now I start my under painting by priming the canvas with a mixture of acrylic made up of burnt sienna, cadmium red and a generous amount of mat medium to make it very transparent.  I apply this evenly over the entire canvas to give it a warm ground for me to paint on.

Once that is dry, I use a mixture of the same colours, but with less medium and I wash in some tonal areas to establish some basic form.  I work up some darker areas using the same colours and I delineate some details, such as the rail fence, sleigh, the horse and the buildings.  I place dark tones on the fir trees to establish a pattern of snow on the upper side of the branches.  Things are starting to take shape!

Across the Miles

Here is the beginning of another new 'horse and sleigh' painting.  These pictures are especially popular with my clients for such things as Christmas cards and puzzles.  This one is called "Across the Miles".  It is a depiction of the mailman making his delivery rounds by horse drawn sleigh.  The scene is a snowy landscape in rural America, just before Christmas.

This canvas measures 16 inches high by 20 inches wide.  Once I have worked out my initial drawing, I transfer it to stretched canvas, then spray it with workable fixative.   Once that is done, I'm ready to start painting!

Sleigh Ride!

This painting has been very popular for my collectors and also licensing clients. It is the perfect Christmas image, both nostalgic and exciting! The horses are galloping briskly along the roadway with a frisky dog leading the way. The period dress of the sleigh's occupants suggest Victorian times, when horse and sleigh were the main mode of winter transportation. You might also notice a buffalo skin rug in their laps, which was used to keep travellers warm. The old wooden pump in the lower right corner is now a thing of the past. These pumps were carved entirely out of wood by skilled craftsmen!

The limestone house in the background was once owned by my wife and I. The beautiful blue spruce tree stands just as I have painted it, beside the house in Kingston, Ontario, Canada. The historic stone church in the background actually exists in Barriefield, just across the Rideau River.

I chose to paint a colourful winter sky in keeping with the animated feeling of the overall painting. This gave me the opportunity to reflect all of these colours in the snow and gives the picture additional life. The painting measures 18 inches high by 24 inches wide. It is painted in alkyd paint on a canvas support. The original is not for sale, but prints are available at: http://fineartamerica.com/profiles/richard-de-wolfe.html Merry Christmas and Happy New Year!

An Old Fashioned Christmas

I thought it was time to post a real Christmas painting. I call this one "An Old Fashioned Christmas". Plenty of nostalgia depicted here, about a much slower and innocent time, when most people lived in the country or at least very small towns and villages across Canada and the United States. In those days the main mode of winter transportation was by horse drawn sleigh or 'cutter'. The scene is typical of many communities in Easter Canada and the North- eastern United States. It is dawn on Christmas morning, and people are gathering at the church for an Early Christmas service.

My composition is based on an "S" pattern. The eye enters from the lower left following the direction of the horse and sleigh, over the bridge to where the figures in front of the church are congregated, and finally the church itself. The stone mill beside the church and the mail boxes in the lower right corner lead the eye back to the horse and sleigh approaching the bridge and the whole process is repeated. The snow covered spruce tree acts as a visual stop and keeps the eye from wandering off to the left.

The painting measures 48 inches wide by 30 inches high. It is painted on stretched canvas, and as I usually do, I worked in alkyd paint. I found this cutter in a Sotheby's auction catalogue and I loved the ornate style. It is being pulled smartly by a high stepping Hackney Horse.

Geraldine

I decided to stick with the boating theme once more, but this time it is an autumn scene, in keeping with the change of seasons. I am always amazed by how quickly summer seems to end and autumn begins with cool nights, changing leaves and shorter days. It is one of the nicest times of the year to be on the water provided the sun is shining and the winds are calm.

The Geraldine is a restored steam yacht, that is now on permanent display at the Antique Boat Museum in Clayton, New York. At one time, boats like this were common on the St. Lawrence River. In the background is a 1000 Island landmark, St. Brendan's Church, at Rockport, Ontario.

I started this painting as a demonstration at an art show. The painting measures 16 inches by 20 inches high. It is painted in alkyd on canvas panel. Prints are available.

Swell

I love to do paintings of the Thousand Islands, and antique boats are special subjects to me. There is no place I enjoy spending the day more than on the water where I grew up. This spot is just a half mile from my old home, near Rockport, Ontario.

"Swell" is a beautiful example of a 34 foot Elco Cruisette that was built in 1925. She is seen here passing smoothly under the Thousand Island Bridge on a warm, misty morning, as the sun begins to burn through the river haze. You can almost hear the throaty melody of her 38 HP, 4 cylinder inboard engine, as it pushes her smartly through the calm water at a respectable 10 MPH. Antique boats like this one are still fairly common in the Thousand Islands and they are highly prized by their owners.

I painted this picture on cotton canvas, using alkyd paint, applied very smoothly. It measures 16 inches wide by 20 inches tall. Occasionally, I am commissioned to paint antique boats, such as this one, for their owners. Prints are available for this and a number of other antique boat paintings that I have produced. Check out www.richarddewolfe.com for other examples.

Lost In Thought

This painting is a little bit of nostalgia from my youth. I grew up in farm country, and though I did not live on a farm at that time, I did spend much of my time exploring farms and of course, fishing whenever possible. What could be more idyllic for a boy than a clear summer day, accompanied by his dog, with a can of worms and a make-shift fishing pole?

I painted this picture on stretched canvas, using alkyd paints. It measures 18 inches high by twenty-four inches in width. Prints are available.

Painterly Illustration

During the 1980's, I shared studio space with several other artists and a photographer. One of these artists (we were all illustrators in those days) was Stewart Sherwood, one of the most talented and prolific artists I know. Stewart has produced paintings and illustrations based on a wide range of subject matter. He is also amazingly fast, often producing a number of finished pieces in one sitting.

Stewart handles any subject with warmth and humour. Today, Stewart paints primarily for the art licensing market and is one of the most successful artists in this field today. As I mentioned, his subject matter is broad, including Christmas, nostalgia, portraits, sports, animals, landscapes and so much more. I particularly love the many paintings of children that he has produced over the years, many for the Bradford Exchange, as collector plates. For more information on Stewart Sherwood and many more examples of his wonderful art, visit his web site at: www.stewartsherwood.ca

Collecting the Sap

Here is another painting that I think is well suited to the season, here in Ontario. Our maple sugar and syrup making season has just ended for another year. The tradition of collecting sap from sugar maple trees is well known in eastern Canada and the north eastern USA. It is done in early spring when the sap stored in the roots of the maple tree begins to travel back up the trunks of these trees, to feed the buds that will soon blossom into leaves. Small holes are carefully drilled around the circumference of the tree and 'taps' or 'spiles' are driven into these holes to collect some of the sap as it flows upward. The sap, in turn, is allowed to drip into pails attached to the tree, or as is most common today, into a network of plastic tubing, which may run for miles to a central collection point. The sap must be boiled down quickly to avoid spoilage. It takes approximately eleven gallons of raw sap to produce one gallon of delicious maple syrup.

For the most part, tractors and modern equipment have replaced the horses and sleighs that were traditionally used in collecting the sap for delivery to the 'sugar shacks' for the long process of boiling over a wood fire. If you look hard enough, it is still possible to find teams of horses, such as the Belgians pictured here, being used in the bush to bring tanks of sap to the wood fired evaporators and maple sugar shacks.

The title of this painting is 'Collecting the Sap'. This painting measures 18 inches by 24 inches. I painted it on stretched cotton canvas, using alkyd paints. Prints are available.

Dreams of Glory

This is another of my series of paintings on the theme of country kids and hockey. This one gets the girls involved too. I call it "Dreams of Glory". When we were kids, it was common for the boys to dream of playing hockey in the NHL (National Hockey League) and the girls would dream of becoming Olympic figure skaters. The dog was usually happy to just live in the moment, jumping on anyone who happened to take a tumble!

This painting measures 16 X 20 inches. It is painted on stretched canvas using alkyd paint. You can tell it is a good old frosty winter day in the country by the crystal blue sky and the hoar frost on the trees. The farm house and outbuildings in the background, along with the style of clothing worn by the kids, suggests the 1940's and 1950's. My favourite part of this painting is the low sheen of the ice surface, suggested by the soft reflections and the crisp skate marks that define the surface.

Wall of Fame

The month is flying by and I haven't found time to publish another post until now. This is one of a series of five paintings that I completed on the theme of nostalgic memories of winter skating in the country. The time period is the 1950's. In those days, hockey skates were made of uninsulated leather, dyed deep brown or black, or often a two-tone combination of the two. I call this painting "Wall of Fame". It represents the dreams and aspirations of many boys who grew up in rural areas, playing pick-up hockey on farm ponds and rivers, hoping some day to play in the NHL. In those days, the league consisted of only six teams and any school boy could name every player on every team.

The painting is done on stretched canvas, rendered in alkyd paint, over an acrylic underpainting. It measures sixteen inches high by 20 inches wide. Since I no longer had my own skates from my boyhood years, I purchased this pair in a country auction to use as a model for the painting. I hung them on our barn wall and leaned a hockey stick that I had in the garage beside them to create an interesting grouping. The rough texture of the weathered barn boards make an interesting background for the polished leather surface of the skates. I added some snowflakes in the air to create an atmosphere of winter and a sense of animation in what otherwise is a still life.