By working this way, I can achieve a degree of impressionism that usually escapes me in more carefully planned works. When I attempted to recreate the feeling of this small sketch in a larger painting, I found that I preferred the small size and casual spontaneity of the original, so I framed the sketch instead.
I used to drive past this spot almost every day on my way to my studio in downtown Toronto, back in the days when I worked as a full-time illustrator. On this particular day, I could not resist the temptation to record the scene. As is so often the case, I am really glad that I did, since it no longer exists in this way. I especially liked the way the sunlight struck the face of the distant farm house and also the split rail fence that leads the viewer's eye into the picture.