Iris Garden

This is another painting that I did recently as a demonstration during an acrylic painting class.  The iris is one of my favourite flowers and my wife and I grow them in our perennial gardens on our farm.  I love the combination of blues, purples and yellows that are so common in these tall, majestic flowers.  It is a pity that they bloom for such a short time.

'Iris Garden' by Richard De Wolfe

12 X 9 acrylic on panel

We work quickly in these painting classes as I explain the method while I demonstrate the techniques. At the same time, I try to assist my students with their work, with the goal of helping them successfully complete their painting by the end of each two hour class.

The first step is to loosely place the main objects on the canvas with light pencil lines, just indicating the general shapes.  This way, you have not invested much time in the drawing before you are sure that the placement is what you want.

When you are happy with the placement of the general flower shapes, it is time to refine them, adding basic detail to the petals.  Do not 'over draw' the flowers.  There is no need to labour over excessive detail that would be obliterated when you begin to paint.  Don't get too rigid with outlines either. This way you will not become a slave to lines you have drawn on the canvas.  These are guidelines only!

Now we mix up the basic flower colours and paint the general flower shapes with a large brush.  Some effort is made to preserve most of the construction lines that separate different areas within the flower petals.

Now we add a general background colour using a broad brush and lots of expression in the brush strokes.  Avoid making the background flat and boring.  Give your brush work life and energy.  I use a deep blue and green mixture to emphasize the bright flowers in the foreground.

The next step is to add leaves and stems, again using a large flat or filbert brush.  I mix a warmer, lighter green and apply it in simple, direct strokes.  My goal is to create an interesting and balanced design to support the colourful flowers that are the focal point in the painting.

Now we add darker and lighter variations of the stem and leaf colour, creating a pattern of light and shadows that is consistent throughout the painting.  This allows us to also create an illusion of depth, with leaves and stems overlapping each other and dropped shadows under the flower petals to bring them into the foreground.

We turn our attention to the flowers themselves and add light areas to the basic petal shapes to give them form and detail.  This is done carefully, keeping the light source consistent with our previous work.

In the final minutes of the class, we add deep, rich variations of colour to the flowers.  White highlights are applied sparingly to catch the viewer's eye and hold their attention in a tasteful and not too obious a manner.  Any last minute corrections or additions are made and the signature goes on.  Voila!  Fini!

Jones's Creek

I painted this little picture about a week ago.  I worked from photos that I took several years ago while driving around the countryside north east of Kingston Ontario.  The location is a place called Jones's Falls.  I liked the look of the winding river as it flows through the granite outcroppings of the Canadian Shield.  The trees in the middle and foreground  frame the animated water flowing toward the viewer, while the distant blue trees in the background give the painting a sense of depth.

I don't know what kind of flowers grow in the marsh along the river, but they make a wonderful counterpoint to the deep green of the trees that make up a large portion of the picture.  The whole thing makes me long for summer, which is still about six months away!

This painting measures just 8 inches high by 10 inches wide.  It is painted on a canvas panel support using alkyd oil, my medium of choice.  You can find the painting for sale at www.dailypaintworks .com or www.rdewolfe.com, along with a wide selection of other paintings I have created.

Tropical Rain Forest Toucan - Step Three

Now I paint stronger, more vivid colours into the beak and eye patch of the toucan.  Lighter green is back painted into the background to suggest light filtering through the foliage.  This gives another layer of depth to the scene.

Next, I wash in thin layers of acrylic paint over the mango in the toucan's beak.  I am starting to suggest the grainy surface of the skin and the subtle changes in colour from red to lime green to golden yellow.  The complex pattern of the butterfly is laid in with flat colour before I begin modelling the leafy foliage and flowers in the middle ground.  The tree frog requires careful attention in order to keep it from becoming lost against the green frond on which it sits.

Holly Hocks

My wife and I used to own a farm on Lake Simcoe, in Ontario, Canada.  For many years, this was the view from my art studio.  The north window faced this barn wall and pasture, where I planted holly hocks, which we enjoyed every summer.  

I enjoy looking at paintings that I have done in the past, that show places and things that may no longer exist as they once were.  It brings back fond memories in a way that only a painting can.  Not only does it record the way it looked, but also the way it made me feel.

This painting measures 16 inches high by 20 inches wide.  Friends of ours purchased it at one of my art shows a few years ago and they seem to enjoy it too.  Prints are available here.