Monday, November 23, 2009

Pleine Aire Painting - The Farm Next Door






A lot of my paintings are created in the studio, from sketches, quick studies or photos. That allows me to spend as much time as I wish, working out composition, colour scheme, drawing and detail. I can pick up and also pause as the mood or situation dictates. The studio is warm in winter and cool in summer and there is never wind or rain or biting insects to dampen my enthusiasm.

That is all very positive, but in the end, it is difficult to beat the spontaneous simplicity of a painting created on the spot, in 'pleine aire', as they say.


In this case, I set up my french easle by the line fence between our farm and the farm next door. I painted for about an hour and a half, two days in a row. The scene is a small, old barn, which houses one horse and a bit of machinery. The field between was dotted with large round bales of hay which were waiting to be collected up for winter feed.

As you can see in the photos, the sun would eventually come around to a bad angle and I would finish for the day.

This is the scene that I was painting, although by the time I thought to take this photo, the large round hay bales had been removed from the field by the farmer.


The sky is not so interesting, either, having no cumulus clouds to create a dramatic background. The lack of hay bales in the field also diminishes the effect of the foreground. In the photo, the beginning autumn colours in the foliage are much less descernible than they were in reality.

When you paint out-of-doors you must work quickly and simply, in order to capture the scene before the light, mood or weather change too drastically. You must get the most important things done as quickly as you can. This forces you to be decisive and to take some chances with your approach. It is hard work but it is also very rewarding. Your confidence increases and with luck, your sense of accomplishment is much greater than it sometimes is on completion of a studio painting.

I framed this little painting and put it in a solo art exhibition several months after I painted it. It sold right away and alas, I had three separate patrons wanting it for their own.

Monday, November 16, 2009

Painting Progression-Between Nations-Step 10

In the final stage of this painting, I add more detail to the wing feathers by modelling individual feathers with a range of tone and colour. I highlight the upper edges of the feathers to create a slight shine and to further accentuate the complex plumage. More detail is also added to the eagle's head and tail feathers. The breaking light in the sky and the reflection on the water is worked up a bit more and the painting is pretty well complete. Once the signature goes on, "Between Nations" is done!
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