Autumn Art Show

'Outlook'   12 inches X 16 inches        $150.00

It is show time!  I am finally having another art show in Kingston, Ontario, after three years of procrastination.  The show will take place at Kingston Central Library, 130 Johnson Street, Kingston, Ontario, Canada.  This will be a solo exhibition of some of my smaller works.  Most of the paintings will be new.  I plan on hanging at least 20 pieces for the show.  The show will open with a 'meet the artist' event on Tuesday, October 2nd., from 6:00pm until 9:00pm.  The event is free and everyone is welcome.  Light refreshments will be served.

After the opening, the show will continue to hang until October 28th.  Since the paintings are smaller in size, so are the prices and I think I will have something to fit everyone's budget this time around.  I hope to see you there!

The painting shown here is a plein air piece that I painted a few years ago.  It was about this time of year, when the trees have just started to take on autumn colours.  I don't get out to paint on location as often as I would like, but I always enjoy the experience when I do.  You really appreciate the feeling of a place when you sit (or stand) quietly in one spot for a few hours just taking it all in.

Harvesting Hay in Summer

Heading for the Loft 24X36 alkyd on canvas

I know it has been a long time since my last post!  As John Lennon (not the first) once said, 'life is what happens when you are busy making other plans'.  Many things have been keeping me busy lately, not the least of which was bringing in the hay crop to feed our horses through the long cold winter to come.

In the 'good old days' hay was forked up onto an open wagon, then pulled by a team of horses to the barn or hay crib, where it was picked up in large clumps by an articulating claw hook that transferred it by pullies and ropes into the barn loft where it was dumped.  We don't do it that way anymore, but it is still a lot of work, even with tractors and hay elevators to drop the square bales of hay into the hayloft of our barn.

The painting "Heading for the Loft" is a commission that I did a few years ago.  That is me driving the team of clydesdale horses pulling a well loaded hay wagon along a dirt road.  The sheep dogs in the picture belong to a friend of mine who also owns a farm.  The painting is sold but prints are available at: www.rdewolfe.com.

Surtex Licensing Show 2012

I do a lot of artwork for licensed products.  There is a huge demand for artistic images created to decorate or embellish many types of products that people buy and enjoy every day.  My work often appears on such things as puzzles, calanders, greeting cards, ornaments, stationary products, gift packaging, mugs and many more.  The work is often light hearted in nature and can be a lot of fun to create!

My agent, Lance Klass, of Porterfield's Fine Art Licensing will be at the Surtex Art Licensing Show at the Jacob K. Javits Center in New York City, New York on May 20, 21 and 22nd., 2012.  Show hours are from 9am to 6pm daily.  Registration for this show is required.  If you are in the art licensing business, drop by and Lance will be happy to show you my artwork as well as the great work of all the Porterfield's artists.

On Stoney Batter Road Finished

At this stage I have blocked everything in and I can judge the final look of the painting.  If I am unhappy with how things are going, it is easy to make changes at this point.  If you have an area in a painting that you have spent a great deal of time on trying to make it 'just right', it can be heart breaking and difficult to bring yourself to make necessary changes.  It is usually better to leave 'finished work' until last!

It is nice to get to this stage and begin adding detail and subtilties to the painting.  I like alkyd because it dries quickly but not so quickly that you have difficulty blending one colour into another.  Working from back to front, I add more mist coming through the distant trees.  Next, a little more detail in the middle ground.  The last thing I do at this point is add colour and light on the birch tree in the foreground.

Now I turn my attention to the split-rail fence, adding colour and light to define the weathered surfaces.  The fence makes a great lead-in for the viewer's eye.  The composition is designed to stop the eye at the birch tree, move up the trunk and follow the limb near the top of the picture to the trees in the middle ground.  The gentle slope of the rough fields brings the viewer's eye back to the birch tree and weathered fence.

The final step involves adding a little more colour to the foliage of the trees in the middle ground, more definition to the leaves and branches of the birch tree, the fence and the foreground grasses.  The whole painting is completed in a little over an hour.

On Stoney Batter Road

This is start of one of my small works.  It is painted on a canvas panel that measures 6 inches high by 8 inches wide.  The round white buttons in the photos are push pins which I have used to secure this small canvas to a larger board that I have sitting on my easel.  The title of this piece is On Stoney Batter Road. I will use this oil sketch as a study for a larger painting that I plan to complete in the future.

In the first image I have primed my canvas with a mixture of gesso, cadmium red and burnt sienna acrylic paint to give me a warm ground that is not too dark.  It dries quickly and I can proceed with alkyd paint right away.  I use a combination of burnt sienna and black alkyd to lay in the rail fence and birch tree in the foreground, then the receding layers of forest behind.  I also start blocking in a basic sky colour.

I continue to block in the sky, allowing the warm background to show through.  Painting from back to front, I block in the hazy trees in the distance.  The trees in the middle ground come next, just quickly blocked in with more intense greens.  The conifer trees behind the foreground birch are suggested and a grassy shadow along the base of the fence completes my initial working plan.

The picture is progressing quickly as I block in golden colours made up of cadmium yellow deep, yellow ochre, burnt sienna, titanium white and olive green in the grassy areas throughout the painting.  I use olive green and sap green and titanium white to begin defining the trees in the background and middleground.

Madawaska Sunset

18 X 24     Madawaska Sunset    $950.00

We used to own a cottage that we built ourselves near Algonquin Park in Ontario. It was tucked away on a beautiful, quiet bay below the fast water at Bell’s Rapids on the Madawaska River. This was the view in front of our chalet. In the winter, the quiet was almost deafening, only broken by the soft and distant sound of the rapids and an occasional raucous ‘cawing’ of a raven. It was a wonderful place that I think of often.

Hinterland Beach

$150.00      Hinterland Beach      12 X 16

I originally painted this plein air piece quite a few years ago.  Recently, I came across it in a stack of canvases leaning against the wall in my studio.   I have always liked the simplicity of the painting and it struck me that it really has a spiritual quality.   The serenity of the tree raising bare limbs to the wilderness sky and the light breaking on the calm waters suggest this theme to me.  Probably the colour that most often dominates in my paintings is blue and I have a great afinity for water.  This picture has it all!   I decided to touch it up a little and offer it for sale once more.  If you are interested in acquiring it for your collection, go here.