"Winterlude" sketch
I thought I would do a demo of how I paint this Christmas image for licensing. I do a fair amount of illustrative art for licensing through Porterfield's Fine Art Licensing. A winter scene is the perfect choice, since the art that is most in demand for licensing is usually a Christmas theme. These images are often used for greeting cards, puzzles, gift ware and paper products as well as many other possibilites. A prospective client will review the work I have available for licensing in a given catagory, choose what suits their project and purchase limited rights to use the image for a specific purpose and for a specific period of time.
The first thing I do when producing this type of art is to brainstorm an idea that will appeal to a maximum number of buyers. Quite often, as in this case, the idea includes a number of similar images that may evolve into a series of finished pieces, all on the same theme. Once I feel I have enough inspiration to proceed I come up with reference material for my idea. I file all types of reference and I take digital photos everywhere I go, so I have a lot of material to draw from. Now I create sketches to work out my design and create any additional parts of my picture from a combination of memory and imagination. When this is done I proceed to do a finished sketch on board or canvas to begin my painting.
"Winterlude"
The next step begins by spraying my drawing with a workable fixative to seal the graphite and prevent smearing. Now I cover the drawing with matt medium that contains a small amount of acrylic pigment to tone the board. Usually I will mix one muted colour and cover the entire surface evenly to provide a ground instead of glaring white. Warm earth tones are my usual choice, but blue-gray is an alternative for a cooler, more subdued look.
This time I wanted to suggest an extreme contrast between the extreme sunlight on the right and the cool shade on the left of my painting, so I toned the matt medium with cadmium yellow on the right and cerulean blue on the left. I hope to create the illusion of a winter day warmed by the sun. These colours will influence the paint that I lay over top as I continue to work.
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