Now I paint stronger, more vivid colours into the beak and eye patch of the toucan. Lighter green is back painted into the background to suggest light filtering through the foliage. This gives another layer of depth to the scene.
Next, I wash in thin layers of acrylic paint over the mango in the toucan's beak. I am starting to suggest the grainy surface of the skin and the subtle changes in colour from red to lime green to golden yellow. The complex pattern of the butterfly is laid in with flat colour before I begin modelling the leafy foliage and flowers in the middle ground. The tree frog requires careful attention in order to keep it from becoming lost against the green frond on which it sits.
Wednesday, August 31, 2011
Sunday, August 21, 2011
Tropical Rain Forest Toucan - Step Two
To suggest thick rainforest vegetation, I paint the background with a solid application of very dark green acrylic paint. All of the foreground and middle ground objects are now wisible in stark relief. The dark green will make the brighter colours pop out.
I start to add colour to the Toucan. There is a subtle pattern in the heavy bill and I wash this in with a mixture of red and burnt sienna. A bit of blue establishes the local colour around the eye. A very light, warm wash of acrylic gives the white 'bib' on the bird's throat some form.
I start to add colour to the Toucan. There is a subtle pattern in the heavy bill and I wash this in with a mixture of red and burnt sienna. A bit of blue establishes the local colour around the eye. A very light, warm wash of acrylic gives the white 'bib' on the bird's throat some form.
Friday, August 19, 2011
Tropical Rain Forest Toucan - Step One
This is an illustration that I created primarily for art licensing. I started by working out a pencil drawing using various pieces of reference material from my scrap file. Once the drawing was worked out to my satisfaction, I transferred it to illustration board.
I then used a kneaded eraser to remove most of the pencil from the illustration board, leaving only faint lines to guide me. Next, I painted in the black areas using acrylic paint.
I then used a kneaded eraser to remove most of the pencil from the illustration board, leaving only faint lines to guide me. Next, I painted in the black areas using acrylic paint.
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